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'''[master XPUB research project] sound jams: methods of collective sound-based publication-making for practitioners from various backgrounds''' is my master's programme research. For my research, I am facilitating various ''sound jams'' that I have designed, in order to test the methods in reality and understand what are the important factors when creating a sound-making experience for people from different backgrounds. What brings them together in sound creation and sharing? What elements of the structure and the process are vital for them to find a comfortable and welcoming space for experimentation? What can they take from the sound jams for their artistic and research practice? <br>
'''[master's XPUB research project] sound jams: methods of collective sound-based publication-making for practitioners from various backgrounds''' is my master's programme research. For my research, I am facilitating various ''sound jams'' that I have designed, in order to test the methods in reality and understand what are the important factors when creating a sound-making experience for people from different backgrounds. What brings them together in sound creation and sharing? What elements of the structure and the process are vital for them to find a comfortable and welcoming space for experimentation? What can they take from the sound jams for their artistic and research practice? <br>


By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.<br>
By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.<br>

Revision as of 21:06, 5 April 2023

hello, world! this is Ål Nik :)

Welcome to my documentation & collaboration space. This Wiki is created to give space for keeping a record of my artistic & research practice and to collaborate with fellow artists on projects. Happy to have you here!

wip

I have just installed this Mediawiki, so bear with me - it's a work-in-progress.

current projects

Some research projects and topics I am working on at the moment:

xpub: sound jams

[master's XPUB research project] sound jams: methods of collective sound-based publication-making for practitioners from various backgrounds is my master's programme research. For my research, I am facilitating various sound jams that I have designed, in order to test the methods in reality and understand what are the important factors when creating a sound-making experience for people from different backgrounds. What brings them together in sound creation and sharing? What elements of the structure and the process are vital for them to find a comfortable and welcoming space for experimentation? What can they take from the sound jams for their artistic and research practice?

By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.

Learn more about my research here:

sound jams

precarity

This topic is brought from my frustration of living in such an insecure state. However, there are also exciting and positive sides of constant change. Thus, I am experimenting and researching all the aspects of the current way of living - not knowing anything/much about the future and always on the edge of making the ends meet. During the last Summer, my friend and classmate Supisara and I made some experiments on this topic. See here:

a tiny illustrated glossary of precarity

index

One of the reasons I installed this mediawiki on my server, was also to have a space to document my work, write some reflections on experiments and things that excited me, and share it. Here is an index of those spaces around here.
index