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=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> xpub: sound jams </span>=== | === <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> xpub: sound jams </span>=== | ||
'''[master XPUB research project] sound jams: methods of collective sound-based publication-making for practitioners from various backgrounds''' is my master's programme research. For my research, I am facilitating various ''sound jams'' that I have designed, in order to test the methods in reality and understand what are the important factors when creating a sound-making experience for people from different backgrounds. What brings them together in sound creation and sharing? What elements of the structure and the process are vital for them to find a comfortable and welcoming space for experimentation? What can they take from the sound jams for their artistic and research practice? <br> | |||
By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.<br> | By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.<br> | ||
''' | '''Learn more about my research here:''' <br> | ||
▶ [[sound jams | ▶ [[sound jams]] | ||
=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> precarity </span>=== | === <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> precarity </span>=== |
Revision as of 19:42, 22 March 2023
hello, world! this is Ål Nik :)
Welcome to my documentation & collaboration space. This Wiki is created to give space for keeping a record of my artistic & research practice and to collaborate with fellow artists on projects. Happy to have you here!
wip
I have just installed this Mediawiki, so bear with me - it's a work-in-progress.
current projects
Some research projects and topics I am working on at the moment:
xpub: sound jams
[master XPUB research project] sound jams: methods of collective sound-based publication-making for practitioners from various backgrounds is my master's programme research. For my research, I am facilitating various sound jams that I have designed, in order to test the methods in reality and understand what are the important factors when creating a sound-making experience for people from different backgrounds. What brings them together in sound creation and sharing? What elements of the structure and the process are vital for them to find a comfortable and welcoming space for experimentation? What can they take from the sound jams for their artistic and research practice?
By a sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores different sound jams as applied methods that provide such processes and a safe space for makers with various practices to open up to a moment of collective sound-making and sharing.
Learn more about my research here:
precarity
This topic is brought from my frustration of living in such an insecure state. However, there are also exciting and positive sides of constant change. Thus, I am experimenting and researching all the aspects of the current way of living - not knowing anything/much about the future and always on the edge of making the ends meet. During the last Summer, my friend and classmate Supisara and I made some experiments on this topic. See here:
▶ a tiny illustrated glossary of precarity
index
One of the reasons I installed this mediawiki on my server, was also to have a space to document my work, write some reflections on experiments and things that excited me, and share it. Here is an index of those spaces around here.
▶ index