Future Design Reader - Revision history

Alnik: /* ❞ _quotes */

2024-12-16T15:17:46Z

❞ _quotes

← Older revision		Revision as of 15:17, 16 December 2024
Line 54:		Line 54:
	_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.		_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.


	~~=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">❞ _quotes</span> ===~~

	❞ In the prophecies of artificial intelligence and the information society, ideology is used to warp time. The importance of a new technology is not for what it can do in the here and now, but for what more advanced models might be able to do one day. The present is understood as the future in embryo – and the future illuminates the potential of the present. (…) The present already contains the future and this future explains the present. (...) Contemporary reality is the beta version of a science fiction dream: the imaginary future. [p.6] (...) The present is continually changing, but the imaginary future is always the same. [p.7] '''Barbrook, R. (2007)'''

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _glossary</span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _glossary</span>==

Alnik: /* _notes */

2024-12-16T15:16:36Z

_notes

← Older revision		Revision as of 15:16, 16 December 2024
Line 39:		Line 39:

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _notes </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _notes </span>==


	=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">☁ _diffractive reading</span> ===		=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">☁ _diffractive reading</span> ===

			[[File:Intersection between individual and collective past and future.jpg\|thumb\|Intersection between individual and collective past and future]]
	The idea for this project was born during a home assignment given by my tutor Femke Snelting, who introduced to us the work of Karen Barad during my master's studies in 2022. Since then, I am interested in exploring the intersection of personal past experiences and collected data and how those affect creating possible future scenarios. During the activity, I have cross-roaded the following material:		The idea for this project was born during a home assignment given by my tutor Femke Snelting, who introduced to us the work of Karen Barad during my master's studies in 2022. Since then, I am interested in exploring the intersection of personal past experiences and collected data and how those affect creating possible future scenarios. During the activity, I have cross-roaded the following material:
	★ Chun, Wendy Hui Kyong: Queerying Homophily. In: Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer u.a. (Hg.): Pattern Discrimination. Lüneburg: meson press 2018, S. 59–97. DOI: https://doi.org/10.25969/mediarep/12350. <br>		★ Chun, Wendy Hui Kyong: Queerying Homophily. In: Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer u.a. (Hg.): Pattern Discrimination. Lüneburg: meson press 2018, S. 59–97. DOI: https://doi.org/10.25969/mediarep/12350. <br>
Line 54:		Line 54:
	_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.		_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.

	~~[[File:Intersection between individual and collective past and future.jpg\|thumb\|Intersection between individual and collective past and future]]~~

	=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">❞ _quotes</span> ===		=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">❞ _quotes</span> ===

Alnik: /* _notes */

2024-12-16T15:16:15Z

_notes

← Older revision		Revision as of 15:16, 16 December 2024
Line 41:		Line 41:


	=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">☁ ~~_reflections~~</span> ===		=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">☁ _diffractive reading</span> ===

			The idea for this project was born during a home assignment given by my tutor Femke Snelting, who introduced to us the work of Karen Barad during my master's studies in 2022. Since then, I am interested in exploring the intersection of personal past experiences and collected data and how those affect creating possible future scenarios. During the activity, I have cross-roaded the following material:
			★ Chun, Wendy Hui Kyong: Queerying Homophily. In: Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer u.a. (Hg.): Pattern Discrimination. Lüneburg: meson press 2018, S. 59–97. DOI: https://doi.org/10.25969/mediarep/12350. <br>
			and <br>
			‌★ Conversations with Edouard Glissant (2010). Documentary // https://en.wikipedia.org/wiki/%C3%89douard_Glissant <br>

	_For Glissant, "we are in the same family when we share the same reactions and intuitions of the world (...) when we have the same manners". The roots can be found through poetry or knowledge. It is the common knowledge we accept from our parents and teachers (of any form) when we grow up. From the people we know and the events we experience. Thus, our predictions are "educated guesses" with the support of what we know, have seen, have read, have heard and experienced. When we look at the future, "we see the horizon through our imagination". The future we can create is the one we can imagine.		_For Glissant, "we are in the same family when we share the same reactions and intuitions of the world (...) when we have the same manners". The roots can be found through poetry or knowledge. It is the common knowledge we accept from our parents and teachers (of any form) when we grow up. From the people we know and the events we experience. Thus, our predictions are "educated guesses" with the support of what we know, have seen, have read, have heard and experienced. When we look at the future, "we see the horizon through our imagination". The future we can create is the one we can imagine.
Line 48:		Line 53:

	_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.		_Similarity and homophily are a strong core of the way people live, interact, and therefore - shape the future.

			[[File:Intersection between individual and collective past and future.jpg\|thumb\|Intersection between individual and collective past and future]]

	=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">❞ _quotes</span> ===		=== <span style="color: black; background-color: #DCDCDC; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">❞ _quotes</span> ===

Alnik: /* _glossary */

2024-11-13T12:44:41Z

_glossary

← Older revision		Revision as of 12:44, 13 November 2024
Line 60:		Line 60:

	◼️ '''homophily''' // “the axiom that similarity breeds connection”, “love as love of the same” (Chun, 2018, p.60). Homophily (from Ancient Greek ὁμός (homós) 'same, common' and φιλία (philía) 'friendship, love') is a concept in sociology describing the tendency of individuals to associate and bond with similar others, as in the proverb "birds of a feather flock together” (wikipedia).		◼️ '''homophily''' // “the axiom that similarity breeds connection”, “love as love of the same” (Chun, 2018, p.60). Homophily (from Ancient Greek ὁμός (homós) 'same, common' and φιλία (philía) 'friendship, love') is a concept in sociology describing the tendency of individuals to associate and bond with similar others, as in the proverb "birds of a feather flock together” (wikipedia).

			◼️ '''permacomputing''' // is both a concept and a community of practice oriented around issues of resilience and regenerativity in computer and network technology.

	◼️ '''possible worlds''' // comprehensive ways things could have been. They are not physical locations or actual places but rather abstract representations of different states of affairs. Each possible world includes a complete set of facts, describing how things are in that world. // David Lewis’ “Counterfactuals”		◼️ '''possible worlds''' // comprehensive ways things could have been. They are not physical locations or actual places but rather abstract representations of different states of affairs. Each possible world includes a complete set of facts, describing how things are in that world. // David Lewis’ “Counterfactuals”

Alnik: /* _glossary */

2024-11-13T12:43:07Z

_glossary

← Older revision		Revision as of 12:43, 13 November 2024
Line 55:		Line 55:
	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _glossary</span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _glossary</span>==

	~~tba~~		◼️ '''connectedness''' // Connectedness in the context of network science refers to the degree to which nodes within a network are linked to each other, either directly or indirectly. A network is considered connected if there is a path between any two nodes, meaning that no node is isolated and each can be reached from another through a sequence of edges. In contrast, a network is disconnected if there are groups of nodes (called components) that are not linked to the rest of the network. Connectedness helps determine how information, influence, or contagion can spread across a network. A highly connected network allows for rapid communication between nodes, while less connected networks may have isolated clusters or components that hinder this spread.

			◼️ '''futuring''' // Futuring as a verb has emerged as a mainstream concept, with a rapidly expanding body of work to support it in scientific, social and more popularist research (Amer, Daim, & Jetter, 2013; Damm, 2019; Inayatullah, 2012; Puglisi, 2001). The themes of exponential growth, artificial intelligence, universal basic income, extended life expectancy, climate change, indigeneity, equity and increasing anxiety about the future in general are all being explored through various forms of futuring or future studies approaches (Guthrie, 2019; Inayatullah, 2017; Kurzweil, 2004; Makridakis, 2017; Van Der Well, 2018). // O’Brien R. and Forbes A. (2021)

			◼️ '''homophily''' // “the axiom that similarity breeds connection”, “love as love of the same” (Chun, 2018, p.60). Homophily (from Ancient Greek ὁμός (homós) 'same, common' and φιλία (philía) 'friendship, love') is a concept in sociology describing the tendency of individuals to associate and bond with similar others, as in the proverb "birds of a feather flock together” (wikipedia).

			◼️ '''possible worlds''' // comprehensive ways things could have been. They are not physical locations or actual places but rather abstract representations of different states of affairs. Each possible world includes a complete set of facts, describing how things are in that world. // David Lewis’ “Counterfactuals”

			◼️ '''social capital''' // Social capital refers to the benefits and resources that individuals or groups derive from their social networks, including trust, cooperation, and access to information and opportunities. It emphasizes the value of relationships and how these connections can facilitate actions and outcomes that would be difficult to achieve individually.

			◼️ '''speculative design''' // a design practice concerned with future design proposals of a critical nature. The term was popularised by Anthony Dunne and Fiona Raby as a subsidiary of critical design. The aim is not to present commercially-driven design proposals but to design proposals that identify and debate crucial issues that might happen in the future. Speculative design is concerned with future consequences and implications of the relationship between science, technology, and humans. It problematizes this relation by proposing provocative future design scenarios where technology and design implications are accentuated. These design proposals are meant to trigger debates about the future rather than marketing products. // wikipedia

			◼️ '''speculative fiction''' // an umbrella genre of fiction that encompasses all the subgenres that depart from realism, or strictly imitating everyday reality, instead presenting fantastical, supernatural, futuristic, or other imaginative realms. This catch-all genre includes, but is not limited to, science fiction, fantasy, horror, slipstream, magical realism, superhero fiction, alternate history, utopia and dystopia, fairy tales, steampunk, cyberpunk, weird fiction, and some apocalyptic and post-apocalyptic fiction. The term has been used for works of literature, film, television, drama, video games, radio, and their hybrids.// wikipedia

Alnik: /* _references */

2024-10-30T13:14:26Z

_references

← Older revision		Revision as of 13:14, 30 October 2024
Line 34:		Line 34:
	★ Nobody Wants This. (2024). [TV Series] Netflix.<br>		★ Nobody Wants This. (2024). [TV Series] Netflix.<br>
	★ O’Brien R. and Forbes A. Speculative Futuring: Learners as Experts on Their Own Futures. In: Journal of Futures Studies, December 2021,Vol. 26(2) 19–36. DOI: 10.6531/JFS.202112_26(2).0002 <br>		★ O’Brien R. and Forbes A. Speculative Futuring: Learners as Experts on Their Own Futures. In: Journal of Futures Studies, December 2021,Vol. 26(2) 19–36. DOI: 10.6531/JFS.202112_26(2).0002 <br>
			★ Pasek, Anne. “Getting Into Fights With Data Centers: Or, a Modest Proposal for Reframing the Climate Politics of ICT.” White Paper. Experimental Methods and Media Lab, Trent University, Peterborough, Ontario. July 2023. https://emmlab.info/Resources_page/Data%20Center%20Fights- _digital.pdf.<br>
	★ Pierson, P. (2004). Politics in time : history, institutions, and social analysis. Princeton: Princeton University Press. ‌// path dependency, how historical decisions influence and constrain future outcomes <br>		★ Pierson, P. (2004). Politics in time : history, institutions, and social analysis. Princeton: Princeton University Press. ‌// path dependency, how historical decisions influence and constrain future outcomes <br>
	★ Sohie, C. (2023). Speculative Futures: Design for Change. In: Hilal, S., Bedir, M., Ramsgaard Thomsen, M., Tamke, M. (eds) Design for Partnerships for Change. UIA 2023. Sustainable Development Goals Series. Springer, Cham. https://doi.org/10.1007/978-3-031-36993-3_19 <br>		★ Sohie, C. (2023). Speculative Futures: Design for Change. In: Hilal, S., Bedir, M., Ramsgaard Thomsen, M., Tamke, M. (eds) Design for Partnerships for Change. UIA 2023. Sustainable Development Goals Series. Springer, Cham. https://doi.org/10.1007/978-3-031-36993-3_19 <br>

Alnik: /* _references */

2024-10-30T13:05:19Z

_references

← Older revision		Revision as of 13:05, 30 October 2024
Line 22:		Line 22:
	★ Commonspoly (2020). (https://commonspoly.cc/) Commonspoly is a non-profit, open source board game that encourages a culture of cooperation and questions the violent model of neoliberal privatisation. <br>		★ Commonspoly (2020). (https://commonspoly.cc/) Commonspoly is a non-profit, open source board game that encourages a culture of cooperation and questions the violent model of neoliberal privatisation. <br>
	‌★ Conversations with Edouard Glissant (2010). Documentary <br>		‌★ Conversations with Edouard Glissant (2010). Documentary <br>
			★ Descant, S. (2024). Power-Hungry Data Centers Pose a Challenge to Government. [online] GovTech. Available at: https://www.govtech.com/infrastructure/power-hungry-data-centers-pose-a-challenge-to-government [Accessed 30 Oct. 2024]. <br>
	‌★ Dunne, A. and Raby, F. (2013). Speculative Everything : Design, Fiction, and Social Dreaming. Erscheinungsort Nicht Ermittelbar: Mit Press. ‌<br>		‌★ Dunne, A. and Raby, F. (2013). Speculative Everything : Design, Fiction, and Social Dreaming. Erscheinungsort Nicht Ermittelbar: Mit Press. ‌<br>
	★ Extrapolations. (2023). Apple TV+. ‌ ‌<br>		★ Extrapolations. (2023). Apple TV+. ‌ ‌<br>

Alnik: /* _references */

2024-10-25T13:36:19Z

_references

← Older revision		Revision as of 13:36, 25 October 2024
Line 24:		Line 24:
	‌★ Dunne, A. and Raby, F. (2013). Speculative Everything : Design, Fiction, and Social Dreaming. Erscheinungsort Nicht Ermittelbar: Mit Press. ‌<br>		‌★ Dunne, A. and Raby, F. (2013). Speculative Everything : Design, Fiction, and Social Dreaming. Erscheinungsort Nicht Ermittelbar: Mit Press. ‌<br>
	★ Extrapolations. (2023). Apple TV+. ‌ ‌<br>		★ Extrapolations. (2023). Apple TV+. ‌ ‌<br>
			★ Flanagan, M. (2009). Critical play : radical game design. Cambridge Ma: Mit Press. ‌<br>
	★ Господинов, Г. (2024). Градинарят и смъртта. Пловдив. Жанет-45 <br>		★ Господинов, Г. (2024). Градинарят и смъртта. Пловдив. Жанет-45 <br>
	★ Graeber, D. and Wengrow, D. (2021). The dawn of everything : a new history of humanity. London: Penguin Books. <br>		★ Graeber, D. and Wengrow, D. (2021). The dawn of everything : a new history of humanity. London: Penguin Books. <br>

Alnik at 12:06, 22 October 2024

2024-10-22T12:06:06Z

← Older revision		Revision as of 12:06, 22 October 2024
Line 5:		Line 5:
	">		">

			<span style="color: white; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">_work-in-progress </span>
	_work-in-progress <br>

	// created for my [[CYENS Art Residency 2024]]		// created for my [[CYENS Art Residency 2024]]

Alnik: /* _references */

2024-10-22T11:48:24Z

_references

← Older revision		Revision as of 11:48, 22 October 2024
Line 29:		Line 29:
	★ ItinerAnts (2024). (https://www.urbex4youth.org/toolkit) A modular adventure game that encourages you to explore, imagine and propose transformations for the city you live in. Developed as part of UrbEx project.<br>		★ ItinerAnts (2024). (https://www.urbex4youth.org/toolkit) A modular adventure game that encourages you to explore, imagine and propose transformations for the city you live in. Developed as part of UrbEx project.<br>
	★ Lewis, D. (1973). Counterfactuals. Harvard University Press.<br>		★ Lewis, D. (1973). Counterfactuals. Harvard University Press.<br>
			★ Moreno Ger, Pablo & Torrente, Javier & Hsieh, Yichuan & Lester, William. (2012). Usability Testing for Serious Games: Making Informed Design Decisions with User Data. Advances in Human-Computer Interaction. 2012. 10.1155/2012/369637. <br>
	★ Nate Silver (2012). The Signal and the Noise : Why So Many Predictions Fail-- But Some Don’t. New York: Penguin Books. <br>		★ Nate Silver (2012). The Signal and the Noise : Why So Many Predictions Fail-- But Some Don’t. New York: Penguin Books. <br>
	★ Nobody Wants This. (2024). [TV Series] Netflix.<br>		★ Nobody Wants This. (2024). [TV Series] Netflix.<br>