FYI Talent Program - Revision history

Alnik at 10:44, 22 December 2023

2023-12-22T10:44:28Z

← Older revision		Revision as of 10:44, 22 December 2023
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			_still work in progress_

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // about </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // about </span>==

Alnik: /* // references & links */

2023-12-22T10:44:02Z

// references & links

← Older revision		Revision as of 10:44, 22 December 2023
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	★ [https://framerframed.nl/en/ Framer Framed]<br>		★ [https://framerframed.nl/en/ Framer Framed]<br>
	★ [https://www.li-ma.nl/lima/about LI-MA]<br>		★ [https://www.li-ma.nl/lima/about LI-MA]<br>
			★ [https://networkcultures.org/blog/publication/post-precarity-zine/ Post-Precarity Zine]<br>
	★ Janwillem Schrofer and Wendy Van Os-Thompson (2018). ''Plan and play, play and plan : defining your art practice.'' Amsterdam: Valiz. ‌<br>		★ Janwillem Schrofer and Wendy Van Os-Thompson (2018). ''Plan and play, play and plan : defining your art practice.'' Amsterdam: Valiz. ‌<br>
	★ Nav Haq and Pascal Gielen (2020). ''The aesthetics of ambiguity. Understanding and addressing monoculture. ''Amsterdam: Valiz. <br>		★ Nav Haq and Pascal Gielen (2020). ''The aesthetics of ambiguity. Understanding and addressing monoculture. ''Amsterdam: Valiz. <br>

Alnik: /* // further reads */

2023-12-22T10:43:01Z

// further reads

← Older revision		Revision as of 10:43, 22 December 2023
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	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // grant writing </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // grant writing </span>==

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // ~~further reads~~ </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // references & links </span>==

	_references that are connected to the programme or some reads that I am checking out [and are connected to the topic]		_references that are connected to the programme or some reads that I am checking out [and are connected to the topic]

			★ [https://thehmm.nl/ The Hmm]<br>
			★ [https://framerframed.nl/en/ Framer Framed]<br>
			★ [https://www.li-ma.nl/lima/about LI-MA]<br>
	★ Janwillem Schrofer and Wendy Van Os-Thompson (2018). ''Plan and play, play and plan : defining your art practice.'' Amsterdam: Valiz. ‌<br>		★ Janwillem Schrofer and Wendy Van Os-Thompson (2018). ''Plan and play, play and plan : defining your art practice.'' Amsterdam: Valiz. ‌<br>
	★ Nav Haq and Pascal Gielen (2020). ''The aesthetics of ambiguity. Understanding and addressing monoculture. ''Amsterdam: Valiz. <br>		★ Nav Haq and Pascal Gielen (2020). ''The aesthetics of ambiguity. Understanding and addressing monoculture. ''Amsterdam: Valiz. <br>

Alnik: /* // presenting */

2023-12-22T10:32:15Z

// presenting

← Older revision		Revision as of 10:32, 22 December 2023
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	🖤 The session was the most gentle towards the participants on this topic I've ever attended. The most dramatic comparison I can do is with the pitching sessions I attended back in 2012-2013 when I was part of a startup and we were part of a startup accelerator mentoring programme. Usually, when it comes to presenting, you are pushed to your limits, into a very uncomfortable zone and many people struggle there. The Hmm's session led by Merel was careful, she left space for anyone to say "No" and gave space to whoever wanted to try speaking in front of everyone.<br>		🖤 The session was the most gentle towards the participants on this topic I've ever attended. The most dramatic comparison I can do is with the pitching sessions I attended back in 2012-2013 when I was part of a startup and we were part of a startup accelerator mentoring programme. Usually, when it comes to presenting, you are pushed to your limits, into a very uncomfortable zone and many people struggle there. The Hmm's session led by Merel was careful, she left space for anyone to say "No" and gave space to whoever wanted to try speaking in front of everyone.<br>
	▲ Merel paid a lot of attention to how we give feedback (so important and so overlooked in my experience). She advised us to focus on how we feel as a viewer and on how/why/when did we feel connected to the speaker. Such feedback can help them improve rather than point out what went wrong. <br>		▲ Merel paid a lot of attention to how we give feedback (so important and so overlooked in my experience). She advised us to focus on how we feel as a viewer and on how/why/when did we feel connected to the speaker. Such feedback can help them improve rather than point out what went wrong. <br>
	☁ I've been thinking: Being careful and gentle when giving feedback is essential not to traumatise the other person and not to turn them into defending mode. It's an art to give feedback in a really meaningful way. However, you still need to deliver the bad news and you cannot always treat people with feathers either. I think, looking for this fine balance is essential - being conscious about how much you can tell, how, and most importantly - to whom. <br>		💭 I've been thinking: Being careful and gentle when giving feedback is essential not to traumatise the other person and not to turn them into defending mode. It's an art to give feedback in a really meaningful way. However, you still need to deliver the bad news and you cannot always treat people with feathers either. I think, looking for this fine balance is essential - being conscious about how much you can tell, how, and most importantly - to whom. <br>
	▲ During this workshop, all the selected speakers at REBOOT had the chance to present and exercise. I loved hearing more about others' work and us being on their team to help them improve their presentations.		▲ During this workshop, all the selected speakers at REBOOT had the chance to present and exercise. I loved hearing more about others' work and us being on their team to help them improve their presentations.

Alnik: /* // presenting */

2023-12-22T10:30:50Z

// presenting

← Older revision		Revision as of 10:30, 22 December 2023
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	First, we visited the REBOOT exhibition at Het Nieuwe Instituut and had a tour by Sanneke Huisman (▶▶[https://www.li-ma.nl/lima/ LI-MA]) who told us how they co-organised and curated it. Afterwards, we had a presentation workshop, facilitated by ▶▶[https://www.merelboers.nl/ Merel Boers].		First, we visited the REBOOT exhibition at Het Nieuwe Instituut and had a tour by Sanneke Huisman (▶▶[https://www.li-ma.nl/lima/ LI-MA]) who told us how they co-organised and curated it. Afterwards, we had a presentation workshop, facilitated by ▶▶[https://www.merelboers.nl/ Merel Boers].

	'''_highlights'''<br>		'''_highlights:'''<br>
	🖤 ~~the~~ session was the most gentle towards the participants on this topic I've ever attended. The most dramatic comparison I can do is with the pitching sessions I attended back in 2012-2013 when I was part of a startup and we were part of a startup accelerator mentoring programme. Usually, when it comes to presenting, you are pushed to your limits, into a very uncomfortable zone and many people struggle there. The Hmm's session led by Merel was careful, she left space for anyone to say "No" and gave space to whoever wanted to try speaking in front of everyone.		🖤 The session was the most gentle towards the participants on this topic I've ever attended. The most dramatic comparison I can do is with the pitching sessions I attended back in 2012-2013 when I was part of a startup and we were part of a startup accelerator mentoring programme. Usually, when it comes to presenting, you are pushed to your limits, into a very uncomfortable zone and many people struggle there. The Hmm's session led by Merel was careful, she left space for anyone to say "No" and gave space to whoever wanted to try speaking in front of everyone.<br>
			▲ Merel paid a lot of attention to how we give feedback (so important and so overlooked in my experience). She advised us to focus on how we feel as a viewer and on how/why/when did we feel connected to the speaker. Such feedback can help them improve rather than point out what went wrong. <br>
			☁ I've been thinking: Being careful and gentle when giving feedback is essential not to traumatise the other person and not to turn them into defending mode. It's an art to give feedback in a really meaningful way. However, you still need to deliver the bad news and you cannot always treat people with feathers either. I think, looking for this fine balance is essential - being conscious about how much you can tell, how, and most importantly - to whom. <br>
			▲ During this workshop, all the selected speakers at REBOOT had the chance to present and exercise. I loved hearing more about others' work and us being on their team to help them improve their presentations.

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // archiving digital art </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // archiving digital art </span>==

Alnik: /* // archiving digital art */

2023-12-22T10:25:07Z

// archiving digital art

← Older revision		Revision as of 10:25, 22 December 2023
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	'''_highlights:'''<br>		'''_highlights:'''<br>
	🖤 They were really generous in sharing insights about their process and work. Kindly answering our questions and also taking us to their studio where we could see different mediums for digital content, how they read them, copy, restore, and preserve. Their library is also quite impressive, of course.<br>		🖤 They were really generous in sharing insights about their process and work. Kindly answering our questions and also taking us to their studio where we could see different mediums for digital content, how they read them, copy, restore, and preserve. Their library is also quite impressive, of course.<br>
			↯ Sadly, they don't have space to store physical components, in case the artwork is mixed-medium made and that is a bit limiting the variety of works they can archive.<br>
			▲ You can get in touch with them, if you want to submit an artwork. Have in mind, they accept only works that are created by Dutch artists or in the physical realm of the Netherlands. You can simply send them an email and will receive feedback if your works fits into the LI-MA collection. <br>
			▲ For documentation and preservation, an important part of their job is to keep older machines working, so the works can be viewed in the original environment they were made for before digitising and transforming them into other formats. Just imagine how many different machines from the past 50 years are there! <br>
			🖤 Back in the 2000s (I think) they were sending newsletters with digital works in the form of DVDs. You can see most of them in their library. <br>

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // The Hmm @REBOOT </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // The Hmm @REBOOT </span>==

Alnik: /* // archiving digital art */

2023-12-22T09:51:17Z

// archiving digital art

← Older revision		Revision as of 09:51, 22 December 2023
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	This session took place at [https://www.li-ma.nl/lima/about LI-MA]'s space in Amsterdam. We were warmly welcomed by Theus Zwakhals and Joost Dofferhoff who made two presentations about different aspects of the way they deal with digital art.<br>		This session took place at [https://www.li-ma.nl/lima/about LI-MA]'s space in Amsterdam. We were warmly welcomed by Theus Zwakhals and Joost Dofferhoff who made two presentations about different aspects of the way they deal with digital art.<br>
	★ Theus shared insights about distribution of the digital art at the ~~organisation~~. <br>		★ Theus shared insights about distribution of the digital art. He also talked us through the history of digital art in the Netherlands and LI-MA.<br>
	★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>		★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>

Alnik: /* // archiving digital art */

2023-12-22T09:50:20Z

// archiving digital art

← Older revision		Revision as of 09:50, 22 December 2023
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	📍 10-11-2023 // @LI-MA, Amsterdam		📍 10-11-2023 // @LI-MA, Amsterdam

	This session took place at [https://www.li-ma.nl/lima/about LI-MA]'s space in Amsterdam. We were warmly welcomed by Theus Zwakhals and Joost Dofferhoff who made two presentations about different aspects of the way they deal with digital art.		This session took place at [https://www.li-ma.nl/lima/about LI-MA]'s space in Amsterdam. We were warmly welcomed by Theus Zwakhals and Joost Dofferhoff who made two presentations about different aspects of the way they deal with digital art.<br>
	★ Theus shared insights about distribution of the digital art at the organisation. <br>		★ Theus shared insights about distribution of the digital art at the organisation. <br>
	★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>		★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>

Alnik: /* // archiving digital art */

2023-12-22T09:50:05Z

// archiving digital art

← Older revision		Revision as of 09:50, 22 December 2023
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	★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>		★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>

	'''_highlights:'''		'''_highlights:'''<br>
	🖤 They were really generous in sharing insights about their process and work. Kindly answering our questions and also taking us to their studio where we could see different mediums for digital content, how they read them, copy, restore, and preserve. Their library is also quite impressive, of course.<br>		🖤 They were really generous in sharing insights about their process and work. Kindly answering our questions and also taking us to their studio where we could see different mediums for digital content, how they read them, copy, restore, and preserve. Their library is also quite impressive, of course.<br>

Alnik: /* // archiving digital art */

2023-12-22T09:49:12Z

// archiving digital art

← Older revision		Revision as of 09:49, 22 December 2023
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	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // archiving digital art </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // archiving digital art </span>==
			📍 10-11-2023 // @LI-MA, Amsterdam

			This session took place at [https://www.li-ma.nl/lima/about LI-MA]'s space in Amsterdam. We were warmly welcomed by Theus Zwakhals and Joost Dofferhoff who made two presentations about different aspects of the way they deal with digital art.
			★ Theus shared insights about distribution of the digital art at the organisation. <br>
			★ Joost talked with passion about his work, sharing many insights on how digital art is documented and preserved. <br>

			'''_highlights:'''
			🖤 They were really generous in sharing insights about their process and work. Kindly answering our questions and also taking us to their studio where we could see different mediums for digital content, how they read them, copy, restore, and preserve. Their library is also quite impressive, of course.<br>

	== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // The Hmm @REBOOT </span>==		== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> // The Hmm @REBOOT </span>==