How to sound jam: Difference between revisions
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== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _colophon</span>== | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> _colophon</span>== | ||
Eternal gratitude to the people who helped me: | |||
Gersande Schellinx for designing the cards’ case and producing the publication. | |||
Chaeyoung Kim for printing and co-producing this publication. | |||
Stephen Kerr for supporting me with some musical theory knowledge and editing the texts. | |||
This work was possible thanks to the invitation by Ron Ritzerfeld and Marie-Jeanne Ameln who run SIGN project space in Groningen and working with them was such a pleasure! | |||
Sound Jams is a series of collective sound-making experiences facilitated by Ål Nik [Alexandra Nikolova]. | |||
// 30 editions // riso print | |||
// Rotterdam, 2024 | |||
Revision as of 20:15, 18 July 2024
_context
_publication
_process
_prototype // 2023
_publication production // 2024
_result
_colophon
Eternal gratitude to the people who helped me: Gersande Schellinx for designing the cards’ case and producing the publication. Chaeyoung Kim for printing and co-producing this publication. Stephen Kerr for supporting me with some musical theory knowledge and editing the texts.
This work was possible thanks to the invitation by Ron Ritzerfeld and Marie-Jeanne Ameln who run SIGN project space in Groningen and working with them was such a pleasure!
Sound Jams is a series of collective sound-making experiences facilitated by Ål Nik [Alexandra Nikolova].
// 30 editions // riso print // Rotterdam, 2024