Trains always bring you to the future

_context

I’ve spent quite some time on trains during the last few years. I prefer them to any other type of transportation and they have a therapeutic impact on me. They have rhythm, soundscapes, and beautiful sights. The silence here is placed on those many backgrounds that help you get deep inside yourself and your thoughts. Usually, those moments are full of thoughts - memories surfacing from the depts, fantasies circulating your near future in a different place, plans you're trying to make.

One of those sounds is the announcements by the train operators. I’ve been also listening to them in many languages, often not understanding what they say but always knowing they are somewhat like prophecies - they tell you where you will be in a moment and where the train will go after the next stop. The trains always bring us to the future and the train operators tell us what this very close future would look like. Their voices blend into our inner thoughts and create a new soundscape inside our heads. This is what I am excited to explore with my residency at Extratonal.

_Wishlist: I would like to reflect on these thoughts and express my reflections through sound. I would love to explore the relations between time, movement, train travel, inner thoughts and ways of experiencing the journey. I am looking for meditative sonic works that bring these elements into one place. I foresee sonic pieces that lie on the borderline between ambient music, sound poems, sonic art, and experimentation.

_Process: As this residency will be self-facilitated, I envision creating a series of prompts for myself. They will aim to evoke memories, inner thoughts and anticipations for the future. They will be connected to a moment on the train, will be announced and recorded. Tools for this process will be writing journals in the style of stream of consciousness; recording small bits every day; writing short poems; editing and music production on small scales, focusing on small experiments every day (week 0 and week 1). During week 2, I will focus more on creating a structure for the final outcome - probably a very short EP, or something like that (realistically, there is not that much time, so I doubt I will manage to finish more than 3-4 sonic works). During week 3, I will do final recordings/edits/prepare a performance/presentation/publication moments.

For the publishing, I am interested in exploring how to publish the piece and promote it. Thinking of which platforms to use (bandcamp?) and how to sell it.

_residency

   _artist-in-residence: Ål Nik [Alexandra Nikolova // Александра Николова]
   _host: organised by Extratonal: Platform for Extratonality, hosted by Varia, Rotterdam
   _coordinator/care-taker <3: Mitsitron
   _dates: 18 July - 8 August 2024
   _final event: 9 August @Varia

▲ highlights ▲

_Working with sound is much more time-consuming than working with visual and digital mediums. Experiencing the artwork and producing it is so temporal - it is a medium that is entangled with time and patience.
_This project is another example of my mixed-media approach: before I started working on the sound recording, editing and mixing, I worked on the conceptual idea of each piece and wrote a poem per audio track. Each poem was a result of a long reflection on a particular topic, a stream of consciousness writing of my inner thoughts whilst taking the solo train journey.
_I tried different ways to approach the making. For some pieces, I started with the ambient instrument and then built the rest of the sounds. For others, I just put the train announcement recording in the middle and then experimented with what was interesting to support and enhance them.
_tba

_artworks

_process

_brainwriting & stream of consciousness
_short poems
_sonic experiments
_processing train announcement recordings from 2021-2024
_mixing & producing
_illustrations & editing of visuals
_publishing - deciding on platforms and what needs to be done for them
_final event - performing
_promotion

_outcomes

_closing event

_colophon